Showing posts with label 1957. Show all posts
Showing posts with label 1957. Show all posts

Saturday, September 12, 2009

five knuckle shuffle


F3966: johnny the greek.

Credited by Frank Zappa as being the inspiration for cultivating his own Viva Zapata! crop of facial hair, Californian bluesman, Johnny Otis was born Ionnis Veliotes four days before Christmas in 1921.

From Wiki:

"In the 1960s he entered journalism and politics, losing a campaign for a seat in the California Assembly (one reason for the loss may be that he ran under his much less well known real name). He then became chief of staff for Democratic Congressman Mervin Dymally."


Peaking at # 9 on the US Billboard Chart in 1958, this ungarnished side-order of authentic Bo Diddley was Otis' only Top Ten hit. A capable politician and tireless advocate for civil rights - addressing the 1965 race riots in his 1968 publication, "Listen to the lambs" - he later founded and pastored a new
church, Landmark Community Gospel Church, which held Sunday services in Santa Rosa, California.

I knew an Otis on the outskirts of Glasgow who was one of the shyest young men I have ever met, and tortured by his name. He used to alleviate - or deflect - unwanted attention deficit disorder by burning his initials into the upholstery on the back seat of our shared expressway bus. I once, to be fair, smashed an elbow into the teeth of a youth on the same when he insisted on getting in on my own face. The driver might have made an unscheduled stop had a thirteen year old threatened to cap him directly on the spot, but I very much doubt it.

'See no; hear no; speak no' is a thoroughly Glaswegian mantra. We are all Neutral Born Buddhists, Kill Bills and Tarantinos be damned.

"sunflower girl"
johnny otis, 1988.

THE JOHNNY OTIS SHOW: WILLIE AND THE HAND JIVE from "Willie And The Hand Jive" 45 (Capitol) 1957 (US)

Thursday, September 25, 2008

clovis, new mexico, 1957


coral 9 - 61885.

Side B: Written by Charles Hardin and Norman Petty. Recorded at Norman Petty Studio, 1313 West 7th Street, Clovis, New Mexico on May 29th, 1957.

Buddy Holly: vocal, acoustic guitar; Jerry Allison: knee slapping; Joe B. Mauldin: string bass; Vi Petty: celeste.

Originally released 20th September, 1957.

BUDDY HOLLY: EVERYDAY from "Peggy Sue b/w Everyday" 45 (Coral) 1957 (US)

PURCHASE THE BUDDY HOLLY COLLECTION

Wednesday, July 9, 2008

the killer



don't let the sun go down on me.
*

Written by Dave "Curly" Williams and Sunny David in a fusion of race
for music's sake, this song was recorded by The Commodores; Big Maybelle; Delores Frederick; and Sunny David himself (in the guise of Roy Hall) long before the killer tracked it down and nailed it straight through the heart.

Lewis was originally from Louisiana, schooled in Texas, and by connecting with Sun Records forever associated with Memphis, Tennessee.

Shake it.

* Note what appears to be tiny traces of amphetamine sulphate, or possibly cocaine, in the lower right hand side of the picture. No wonder there was a whole lot of shakin' going on.

JERRY LEE LEWIS: WHOLE LOT OF SHAKIN' GOING ON from "Whole Lot Of Shakin' Going On b/w It'll Be Me" 45 (Sun) 1957 (US)

THE KILLER