Thursday, May 28, 2015

just say who

The version featured appears on Heavenly's 2001 compilation, "Social Classics Volume 2 • Dread Meets Punk Rockers Downtown" - as selected by Don Letts - and carries an extended intro differing from Culture Press's 1999 issue, "The Killer • 1975-1977".  
     A version I heard purporting to be the original Prophets' pressing appears identical in arrangement to Bunny Lee's definitive production, but I am unable to vouch for its provenance. I digress. An outstanding DJ classic, however it tumbles your way.

strictly rockers

JAH STITCH: BLACK HARMONY KILLER from "Strictly Rockers b/w Version King Tubby's Special" 7" 45 Prophets (NONE) (JA) 1976 • "Black Harmony Killer b/w Natty on Top" 7" 45 Third World (TW 73) (JA/UK) 1977

Wednesday, May 27, 2015

atypical dub

adventures in dub


THE SLITS: ADVENTURES CLOSE TO HOME from "Cut" LP Island (ILPS 9573) (UK) 1979
THE SLITS: EARTHBEAT / WEDDING SONG (12.10.81) from "Peel Sessions" CD Strange Fruit (SFRSCD052) (UK) 1998

krayola in dub

rainiest dub

THE RAINCOATS: IN LOVE from "Fairytale In The Supermarket b/w In Love / Adventures Close To Home" 7" 45 Rough Trade (RT 013) (UK) 1979

drop dub

reigniest dub

KEITH HUDSON: IN THE RAIN (VERSION) from "In The Rain b/w In The Rain (Version)" 7" 45 Mafia (NONE) (JA) 1973

dromilly avenue dub

poor a di biggest crime dub
Aided and abetted by Scientist. 
PRINCE FAR I: POOR A DI BIGGEST CRIME from "In The House of Vocal & Dub" LP Graylan (LJLP 001) (JA/UK) 1995
KING TUBBY'S: TRIBULATION from "In The House of Vocal & Dub" LP Graylan (LJLP 001) (JA/UK) 1995

with guitar solo

limp trying dub
Originally issued on flexi with "Sniffin' Glue", October 1977.

ALTERNATIVE TV: LOVE LIES LIMP from "Life b/w Love Lies Limp" 7' 45 Deptford Fun City (DFC 05) (UK) 1978

misty i dub

break a glass dub
Engineered and produced by Ken Hamann, Pere Ubu.

PERE UBU: SENTIMENTAL JOURNEY from "The Modern Dance" LP Blank (001) (US) 1978

jail house • version

revolutionary dub

Recorded at remixed at Channel One Recording Studio, 
29 Maxfield Avenue, Kingston 13, Jamaica. 
Produced by Jo Jo Hookim.
Engineered by Barnabas, Ernest Hookim. 

SLY AND THE REVOLUTIONARIES: JAIL HOUSE (VERSION) from "Channel One • Maxfield Avenue Breakdown Dubs and Instrumentals 1974-1979" CD Pressure Sounds (PSCD31) (JA/UK) 2001

the observer

niney's dub crown


SOUL SYNDICATE: NINEY'S DUB CROWN from "Niney The Observer Presents Soul Syndicate Dub Classics" LP Jamaican Recordings (JRLP022) (JA/UK) 2005

Tuesday, May 26, 2015

crucial dub

bunny is crucial
Recorded at Channel One.
Mixed by Anthony Graham, AKA Crucial Bunny.

CRUCIAL BUNNY: BUNNY IS CRUCIAL from "Fatman Presents Dub Contest" LP Star (PTLP1008) (JA/UK) 1979

dub rehousing

unruly dub 
the singularity that was not

JOY DIVISION: SHE'S LOST CONTROL from "Unknown Pleasures" LP Factory (FACT 10) (UK) 1979

spirit vs penny dreadful dub

jammys a no fool
Mixed by Prince Jammy. 
vlad dub the impala
Recorded at Beck Studios, Wellingborough, Northamptonshire. 
Mastered at The Town House.
Engineered in the shadow of Jammy emaciated

PRINCE JAMMY: JAMMYS A NO FOOL from "Fatman Presents Dub Contest" LP Star (PTLP1008) (JA/UK) 1979
BAUHAUS: BELA LUGOSI'S DEAD from "Bela Lugosi's Dead" 12" 45 Small Wonder (TEENY 2) (UK) 1979

crooked crooked dub

sheep dip dub 


THE CLASH: SHEPHERD'S DELIGHT from "Sandinista!" 3 x LP CBS (FSLN 1) (UK) 1980

the mighty two ride again

no shame dub


THE MIGHTY TWO: I'M NOT ASHAMED VERSION from "I'm Not Ashamed b/w I'm Not Ashamed Version" 7" 45 VP • Joe Gibbs Record Globe  (VP 5005-4) (JA/USA) 2012

Monday, May 25, 2015

heavy discipline

cry an i feel no pain


PRINCE FAR I: BLACKMAN LAND from "Blackman Land b/w Version" 7" 45 Cry Tuff  (NONE) (JA) 1976

the mighty two

dub etiquette
Arranged and produced by Joe Gibbs and Errol Thompson. 
 

PRINCE FAR I: HEAVY MANNERS from "Heavy Manners b/w Heavy Discipline" 7" 45 Joe Gibbs Record Globe  (NONE) • Heavy Duty (NONE) (JA) 1976

well charge

packin' the blunt dub  
Produced by Joseph Hoo Kim.
Engineered by Ernest Hoo Kim & Ossie Hibbert at Channel One.

DILLINGER: PLANTATION HEIGHT from "Plantation Height b/w Version" 7" 45 Well Charge (NONE) (JA) 1975

jackpot

your cool operator
Written and produced by Bunny "Striker" Lee


DELROY WILSON: COOL OPERATOR from "Cool Operator b/w I'm Yours" 7" 45 Jackpot (NONE) (JA) 1971

lorraine motel | room 306

a diffident royalty dub


UB40: KING from "King b/w Food For Thought" 7" 45 Graduate (GRAD 6) (UK) 1980

lloyd charmers on the dials

u.k. pop reggae  

KEN BOOTHE: EVERYTHING I OWN from "Everything I Own b/w Drum Song" 7" 45 Trojan (TR.7920) (UK) 1974

siblingshot on the bleachers

hammersmith guerillas


THE CLASH: (WHITE MAN) IN HAMMERSMITH PALAIS from "(White Man) In Hammersmith Palais b/w The Prisoner" 7" 45 CBS (S CBS 6383) (UK) 1978

no supper tonight

kick it over

THE CLASH: ARMAGIDEON TIME (VERSION) from "London Calling b/w Armagideon Time (Version)" 12" 45 CBS (CBS 12 8067) (UK) 1979
WILLIE WILLIAMS: ARMAGIDEON TIME from "Armagideon Time" LP Studio One (SOLP0131) (JA) 1979 • 1982

Sunday, May 24, 2015

people unite

fair deal studio session

Owen, Fox, Jennings, Ruffy
THE RUTS: IN A RUT from "In A Rut b/w H-Eyes" 45 People Unite (RUT 1A) (UK) 1979 • "In A Can" CD Harry May Record Company (CAN CAN 009) (UK) 2000
JOHN PEEL: BBC RADIO BROADCAST 1979 from "In A Can" CD Harry May Record Company (CAN CAN 009) (UK) 2000

two sevens clash

dread at the controls pt. 2


THE CLASH: ROBBER DUB from "Super Black Market Clash" CD Legacy (EK 53191) (UK) 1980 • 1993

juke box accelerator

foote in mout' dub


THE CLASH: CLASH CITY ROCKERS from "Clash City Rockers b/w Jail Guitar Doors" 7" 45 CBS (CBS 5834) (UK) 1978

year of the dragon

the man from shooter's hill


KEITH HUDSON: THE MAN FROM SHOOTER'S HILL from "Entering The Dragon" LP Magnet (MGT 007) (JA/UK) 1974

the wormer revisited

toasting mr. lee
prince jazzbo 

PRINCE JAZZBO: THE WORMER from "The Wormer b/w The Great Pablo" 7" 45 Attack (ATT 8122) (JA/UK) 1976

Saturday, May 23, 2015

try and try again

Hank Mizell, singer and writer of the international hit "Jungle Rock", was born on November 9, 1923 in Daytona Beach, Florida and died on December 23, 1992 in Murfreesboro, Tennessee. Erroneously credited on its initial release in 1958 to guitarist Jim Bobo - with whom Mizell collaborated between 1956 and 1962 -  a second pressing corrected the mistake but failed to dent the charts. 
     Primal and bursting with innuendo - despite its being clearly targeted at the novelty dance market - it was further issued on King Records (5236) but again did little to ignite consumer interest.
     Subsequently picked up by Frenchman Jean-Luc Young's specialist reissue label, Charly Records, some two decades later, it ultimately peaked at the #3 spot in the UK.

jungle rock


HANK MIZELL: JUNGLE ROCK from "Jungle Rock b/w When I'm In Your Arms" 7" 45 Eko Recording Corp. (No. 506) (US) 1958 • Charly Records (CS 1005) (UK) 1976

stars in dub

Engineered and mixed at King Tubby's, 18 Dromilly Avenue, Kingston 11.

twin tub sibling dub


TAPPER ZUKIE: TAPPA ZUKIE IN DUB from "Tapper Zukie In Dub" LP Stars (SR 1000) (JA) 1976
TAPPER ZUKIE: LOVING DUB from "Tapper Zukie In Dub" LP Stars (SR 1000) (JA) 1976

capillaceous dread


let the sun shine in
LIZZY & CORNELL CAMPBELL: AQUARIUS from "Joe Gibbs • Scorchers From The Early Years 1967-73" 2 x CD 17 North Parade (VP 4151) 2009

Friday, May 22, 2015

dub poltergeist

Additionally issued on 12", Black Ark International (ARK 007) in the UK, 1980.

contort yousel'


JUNIOR MURVIN: CROSS OVER from "Cross Over b/w Cross Over Dub" 7" 45 Upsetters (NONE) (JA) 197?

check the guy's track record

The god damn sun was shining again. The only problem was it was lighting up the wrong side of the street. I stepped out onto the verandah in the shadow of our 1950's built tenement and scowled at those bastards sunning themselves in deckchairs and makeshift loungers. Wished them all melanomas as I shrank inside my duffel coat. Even the air is different this side of the divide. Damp. Not humid. The residue of cold rain sandwiched into concrete. Settling in the marrow.
     The entire block and those surrounding it have little portholes built into kitchens overlooking the balcony outside. To remind everybody making tea that their lives are all at sea. That each new dawn flirts with sinking as the walls around subside.
     One side of the street sails the Bahamas through summer, its tenants smothered in sun screen. The other patrols the black Irish Sea. Life jackets on parade.
     Every passing cloud is a triumph.
     I stepped back indoors and bit into a burger to get my dose of Vitamin D.
     No news is good news. When the telephone rings it may be news that someone has died. When it doesn't ring it may mean that somebody has died, regardless. Should I feel the urge to keep abreast of hostilities I can always turn the dial on the radio. I prefer to hear it as unillustrated dirge. I tend to lean towards the World Service. Its echo of the colonies.
     I loiter too on the Shipping Forecast. Gale warnings. Ronald Binge. A woodwind arpeggio.
     Where jazz aficionados have their "Stormy Weather" to keep their boat afloat, this island provides beautifully manicured vowels and consonants.
     Bowed under by the weight of regional accents, we blindly gravitate towards them for instruction.
     Even here, north of the border - the dark end of the street - our ears remain tuned to the crisp rebuke.

hip dub priest
THE FALL: HIP PRIEST from "Hex Induction Hour" LP Kamera (KAM-005) (UK) 1982
THE FALL: BIG NEW PRINZ from "Big New Prinz b/w Wrong Place, Right Time" 7" 45 Beggars Banquet (FALL 4) (UK) 1988
THE FALL: BIG NEW PRIEST from "I Am Kurious Oranj" CD Beggars Banquet (BEGA 96CD ) (UK) 1988

Thursday, May 21, 2015

massive attack

general lee's dub
KING TUBBY & THE AGGROVATORS: LEE'S DUB from "Shalom Dub" LP Klik (KLP9002) (JA) 1975
KING TUBBY & THE AGGROVATORS: DON'T CUT OFF YOUR DUB from "Shalom Dub" CD Jamaican Recordings (JRCD038) (UK) 2010


upset the barber

bury the razor
see here boy
UPSETTERS: BURY THE RAZOR from "Bury The Razor b/w Cheat Weston Head" 7" 45 Upsetter (NONE) (JA) 1975

angola crisis

Recorded at Errol T Recording Studio. Engineered by Errol Thompson. Sound effects, arranged by Joe Gibbs. Produced by Errol Thompson and Joe Gibbs. Lyrics and vocal overdub by Althea Rose Forrest and Donna Marie Reid. The 45 was given heavy rotation by BBC Radio DJ, John Peel and was reissued on Lightning Records - a subsidiary of WEA - hitting the UK top spot in Feb 1978.

joe gibbs record globe


JOE GIBBS & THE PROFESSIONALS: ANGOLA CRISIS from "African Dub All-Mighty • Chapter Two" LP Joe Gibbs Record Globe (NONE) (JA) 1977
ALTHIA AND DONNA: UPTOWN TOP RANKING from "Uptown Top Ranking b/w Calico Suit" 7" 45 Joe Gibbs Record Globe (NONE) (JA) 1977

Wednesday, May 20, 2015

the roar behind the king

Recorded at Channel One, Kingston, Jamaica. Edited by Brad Osbourne and Douglas Levy at Bullwackie Studio. All rhythm tracks by Bunny Lee and the Ag[g]rovators (credited here individually). Mixed in the raw, the mellow, at 
King Tubby's and Joe Gibbs Recording Studio, Kingston, Jamaica. Mighty.
   
queued up at channel one

BUNNY LEE: KING ZION DUB from "King Of Dub" LP Clock Tower (CTLP 0101) 1978
BUNNY LEE: FANCY UP A DUB from "King Of Dub" LP Clock Tower (CTLP 0101) 1978

Tuesday, May 19, 2015

rudie can't fail

...on the route of the 19 bus
KING TUBBY AND FRIENDS: DUB IS MY OCCUPATION from "Dub Like Dirt" 2 x LP Blood & Fire (BAF 026) (JA) 1999

the man who would be king

Engineered and mixed some time between 1975 and 1977 at King Tubby's, 18 Dromilly Avenue, Kingston 11.
KING TUBBY AND FRIENDS: SLY WANT DUB from "Dub Like Dirt" 2 x LP Blood & Fire (BAF 026) (JA) 1999

Monday, May 18, 2015

wreck my body

Serious A-grade, X-rated vocal riffing around Katherine Kennicott Davis's 1941 X-mas standard, "The Little Drummer Boy". Paging uncle Joe to pass the dust.
THE SOUL SISTERS: WRECK A BUDDY 7" 45 Amalgamated Records (AMG 839) (JA) 1969

black ark vs joe gibbs

Perry's rather wonderful acrimonious parting shot to Joe Gibbs. Segueing here into Alcapone's overdub, itself issued three years later, back to back with Winston Wright's "Doctor Upsetter" on Pressure Beat. Perry dissolved his association with Amalgamated Records to establish his own (Upsetter) label in 1968. Exit Scratch, enter Winston "Niney The Observer" Holness at the dials.
LEE PERRY • DENNIS ALCAPONE: THE UPSETTER • UPSETTER VERSION 7" 45 Amalgamated Records (AMG 808) (JA) 1968 • Pressure Beat (NONE) (JA) 1971

Thursday, May 14, 2015

your host imbibes some more

toasting all siblings everywhere.

Saturday, May 9, 2015

pork loins

I am dreaming about tripping. I am tripping more explicitly than I have in years, though the ritual passage from one hand to the other by way of gift is somehow dimmed. At any rate, I am grateful.  The trip is in progress. Still accelerating when it is rudely interrupted by the fat man upstairs.
     I ought to be incandescent but I am not. The grey creeps in and out my lids as stitches. My vision adjusts. Calcifies. Ears tuned to the sound of a television racing engines. Cupid bubbles detonating. Hideous tiny wingspans calibrated on radiator shards.
    A fluttering of lungs.
    I sit on the edge of the sofa. Feet planted in a rug. Not so much antagonized as exhausted. Ashen. Gutted. Bitten.
    I open my mouth on a yawn.
    Slow dive down an aperture shrinking on an aqua hole.
    The last I remember is bra straps snapping. Swim suits. Polka dots. Betty Boop on steroids, kicking out a sushi arch.
     Lose one life.
     Snatch.
     It is not as if I have been getting any.
     Anyway. I sit there and consider my current predicament obliquely. Watch myself from somewhere in the vicinity of a ceiling rose vibrating. The walrus padding back and forth between armchair and set. Hoovering up filigreed leftovers with his snout.
     I fish a cigarette out its pack. Cough into the corner of my hand.
     "Fuck off!" the fat man sings.
     All manner of tenants locked in on themselves. Pulling on moustaches. Tie-dyed hair.
     "Prick."
     The fat man upstairs is much like those pallid anemones below. The same native tongue. The only thing separating one from the other is floorboards, my flesh between, stacked one on top of the other like the raw ingredients in a bologna sandwich. Gnawed at, chewed on, regurgitated. Served up to the bins.
     An oyster tattoo laced straight through the hambone.
     An inferior performer.
     I sit there. Acutely aware of my bulk. The unwashed smell on me.
     Well. My breathing is riven, the timbre inescapably jazz, post-op bop, lurking under the corner light, magus to the mild. I don't believe in original sin. The ubu frère is sanitized, gone, his blemished skins sparkling to the wind.
     I open my nose fully just to catch the faintest whiff of him and in return receive nothing. Not one jot. Every inch the liver spotted ghost exiled to the eaves. Hovering there intangible. Stitched in tissue silhouette about the cornicing, an overhanging in tablature. A weevil blown ice sculpture.
     "Bastard. Snidey fucking cunt."
     It is conjecture, of course, as to that which has brought the fat man to such a pass. What is certainty, however, is that he did not start out so thick around the ankle. The neck now gathered in a wattle.