Wednesday, December 3, 2008

five minutes behind the bell





We skated to school on the sides of our
shoes. Travelling faster between lamposts
than we dared. The car park was an
ice rink; carless, we use it as a short cut.

"Watch out", I said. "You'll get a ticket."

Two teenage girls took their sisters ahead
of us, laughing and dragging a five year old
on her knees, her woolen tights snagging
on frozen stubble projecting from the ground.

All girls. The youngest one giggling all
the way. Big fun. The fifteen year old tugging
a cropped halterneck down over her navel.

"Ha!" I thought. "You'll catch your death."

I have a wish. I hope when my son is older,
and I am gone, that he will remember these
mornings with fondness and some affection.

Tuesday, December 2, 2008

lean pickings on the plains



"
at the water's edge". two tepees; four piegan indians.

"In the spring, when the fish were spawning, the natives left their winter camps to build light villages at coastal locations and waterfalls. In March they caught smelt in nets and weirs, moving about in birchbark canoes....

In December when the snows began they recombined in winter camp
s in sheltered locations, where they built or reconstructed long houses. February and March were lean times. They relied on cached food, especially in southern New England. Northerners had a policy of going hungry for several days at a time. It is hypothesized that this policy kept the population down according to Liebig’s law.
The northerners were food gatherers only."




0:58"

David Thomas: vocals; Jim Jones: guitar, bass, organ;
Steve Mehlman: drums; Tom Herman: guitar, bass, piano: Michele Temple: bass, guitar, organ;

Robert Wheeler: synthesizer; theremin; organ

Produced by David Thomas.
photograph in the public domain.

fancy a game of cards, brushback ?

PERE UBU: INDIANGIVER from "Pennsylvania" CD (Cooking Vinyl) 1998 (US)

PERE UBU: SILENT SPRING from "Pennsylvania" CD (Cooking Vinyl) 1998 (US)

PURCHASE PENNSYLVANIA

bleak ice for winter hostels



There was nothing pretty or charming about the sheets of ice on the pavements and streets this morning. The appropriate adjective is treacherous. Damn. A pattern is emerging here, isn't it ? Apologies.

Guitar by Vini Reilly.
Produced by Martin Hannett.


THE DURUTTI COLUMN: SKETCH FOR WINTER from "The Return Of The Durutti Column" LP (Factory) 1979 (UK)

photograph by thomas.

PURCHASE THE RETURN OF THE DURUTTI COLUMN

Monday, December 1, 2008

grafitto 191



grafitto 191.

Kenny & Leon left in a huff

David First: guitar; Barry Halkin: drums;
Steven Bilenky: bass

circle of brotherly love





I watched some moving pictures of Philadelphia
last night on tv. Wandering wounded on the corner,
young black men with babies tucked in their arms -
9mm handguns nestled inside their waistbands -
they had lost the ability to form meaning with their
mouths, nothing of any import or note got said,
and the police were simply going through the
motions, from one paycheck to the next, glad just
to have a job; a badge and a pension and good health
insurance. A generous degree or two of self-respect.

Everybody runs everywhere, it seems. When they
are not high and swimming aimlessly in circles. Round
and around like wheezing lung fish in a puddle. Or
shooting up in a vacant lot. Stepping on some crack.

Shoals of knives. A boost up off the kerb. A stroll on
the safer side of the street; goats and gold rope chains.

And you just can't make the rent. Young men sprawled
face down on the dirty tarmac and sisters, cousins
wailing. Paramedics breaking between the waves. Dull
condolences and whispered spitting feathers on the road.
But you might just make that next bag. The next twelve.
Everybody is hustling or else being hustled. There is no
middle ground. The script is so derelict it might reduce
one to tears - there is more money to be made, it's said,
peddling McDonalds. Flipping burgers. And all those
bloods on the corner are motherless boys. Only aunts.

And you just can't make the rent. And the police sure as
fuck don't care. Their barbecues and secret handshakes.

But this is Philadelphia. "Last year it was 'Kiladelphia',"
a young hood intones, his shirt wound about him like a
shroud. It looks a lot like any other dead end cul-de-sac.
Too hot to breathe in August, cold right through til April.

No trace of Philly Soul. No ornamental tail fins. Industry
on the wane. Gamble & Huff cocked a snoot and walked.

And It did not move me. Somebody left the video rolling.
Someone forgot to sweep out the ashes in the morning.


"playground needles": image by grafitto 17.


WATCH 'LOUIS THEROUX: LAW & DISORDER IN PHILADELPHIA'

shriveler's block



study for "rotten apple core", 1987, by claes oldenberg.



The air in the corridor presently
is frozen and makes museum pieces
of rotten fruit and spilled fluids.
Oldenberg and Jackson Pollock.
The smell is not pronounced,
but scarcely less palateble. It
remains close to the floor; hovers
there like a soul unable to flee.
Even the paint on the walls reminds
one of dead flesh. Traumatised
where once it was simply distressed.

Outside it feels less cold than in.
Primary colours in the wan sun.

Reds and golds and a bruised clear sky.

Halitosis puffs of vapour on the wind.
Dying insects trying to get back up
and right themselves over on the grass.

There is no turning the corner.


Shriveler's Block:

I haven't felt much like
writing lately. I sat down at the keyboard and
tossed this off
as an exercise in shaking the mental arthritis loose a little,
of stirring up the petri dish; just to see what words might come.
I had no intention of sounding quite so bleak.

Oldenberg's apple core reminds me of Walt Disney's Mickey Mouse
for some reason. I think it's the buttons on his pants.


Sunday, November 30, 2008

goo 1990 (v2.0.0.5)



1990's "Goo" is a somewhat patchy affair, but it does contain one of my favourite ever Sonic Youth tracks - "Tunic (Song for Karen)" - so I was slightly bemused on listening to the remastered 2005 release to find "Disappearer", with backing vocals by Don Fleming, vying for my attention. It was released as a single - prior to "Kool Thing" and "Dirty Boots" - so I ought to remember it. Latterly, it seems to be those songs featuring Thurston Moore on vocal duties which work the best for me; this was by no mean always the case, previously.

Another mild surprise was just how much I enjoyed the studio outtake, "Lee #2", which didn't make the cut first time around. The Deluxe Edition features 31 tracks in total, 20 of which are newly (well, 3 years ago recently) mixed outtakes, b-sides and rehearsals; all of which adds up, of course, to a far more comprehensive document or snapshot of that period in between "Sister" and "Dirty". Mixed by Aaron Mullen for the 2005 repackage, "Lee #2" is easily up there with any of those songs on the original vinyl release.

Here's an excerpt of what Mullen had to say regarding the remastering process:

"While reference CD’s of the new mastering were being made, listened to, and commented on, we were sorting out bonus tracks. The demo version of the complete album which had been previously bootlegged, and which many people have long preferred to the album proper, was an obvious thing to include. The sound of the released versions of the demos had always been a bummer. Thurston pointed out that the bootleg disks of the demos sounded better than the band’s own version which they released through the (now-defunct) Sonic Death Fan Club. So we dug out the original mix DAT and checked that out. It was better than the Fan Club CD. Then we dug out the 1/2” multitracks, and were totally blown away by the sounds Jim Waters had captured on the original tape."

Recorded at Sorcerer Sound and Greene Street, NYC, 1990.

Thurston Moore: guitar, vocals; Lee Ranaldo; guitar;
Kim Gordon: guitar, vocals; Steve Shelley: drums.

Produced by Nick Sansano; Ron St. Germain; Sonic Youth.
Mastered by Howie Weinberg.



SONIC YOUTH: DISAPPEARER from "Goo: Deluxe Edition" 2 x CD (Goofin' / Smells Like) 1990/2005 (US)

SONIC YOUTH: LEE #2 (STUDIO OUTTAKE) from "Goo: Deluxe Edition" 2 x CD (Goofin' / Smells Like) 1990/2005 (US)

PURCHASE GOO DELUXE EDITION 2 x CD

PRISONSHAKE: SPOO 45 @ ONE BASE ON AN OVERTHROW

plan 9 from outer space


The Austin collective's second release for International Artists - the same label responsible for inflicting Mayo Thompson's fellow Texas Rangers, the Red Krayola on the record buying public - is yet more psychedelic hillbilly fare best known, perhaps, for the 8 minute plus joint Erickson and Hall opus, "Slip Inside This House", opening side 1. The first song here is penned by guitarist/producer, Stacy Sutherland; the second by Roky and Tommy.

Of course. Barack Obama slips inside the house presently, while the Texans mosey on out with their tails between their legs. And take the silverware with them before the flying saucers touch down on the western world's best maintained lawn.


Roky Erickson: vocals;
Dan Galindo: bass; Stacy Sutherland: guitar;
Tommy Hall: jug; Danny Thomas: drums
Produced by Stacy Sutherland & engineered by Frank Davis.
listen to the mekon

13th FLOOR ELEVATORS: NOBODY TO LOVE from "Easter Everywhere" LP (International Artists) 1967 (US)

13th FLOOR ELEVATORS: DUST from "Easter Everywhere" LP (International Artists) 1967 (US)

PURCHASE EASTER EVERYWHERE

Saturday, November 29, 2008

laugh at me (shindig)

"live": "shindig" (ABC TV), 11th August, 1965.

The real Bono.
Not that Irish imposter with
the crap sunglasses.


Atco 45-6369.
son of a gun

SONNY BONO: LAUGH AT ME (OVERDUBBED VOCAL PERFORMANCE) from " Laugh At Me" 45 (Atco / ABC: "Live" on Shindig) 1965 (US)

tilting at windmills, signor cervantes

"don quixote" by pablo picasso, 1955.

"The drawing was made on August 10, 1955 for the August 18-24 issue (No. 581) of Les LETTRES françaises, a weekly French journal directed by Aragon, in celebration of the 350th anniversary of the publication of Don Quixote, Part I. The journal presented articles (p 1, 9-11) by José Bergamín, Jean Marcenac, Antoine Adam, Alice Ahrweiler, and Pierre Darmangeat, and in a small headline on its first page proudly announced “Un document exclusif: Don Quichotte vu par Picasso.”


Continental LPP-21.

Luiz Bonfá: guitar; João Donato: accordion;

Antônio Carlos Jobim: piano; Altamiro Carrilho: flute;
Claudio: violin; Quinidio Teixeira: tenor sax;
João Stockler: drums; Vidal: bass; Galhardo: bass.



LUIZ BONFÁ: VIOLĀO NO SAMBA from "Luiz Bonfá" LP (Continental) 1955 (Brazil)

PURCHASE LUIZ BONFÁ

bang, bang (my baby shot me down)



caution: sibling shot on the bleachers.

Written, of course, by Sono Bono. From the first of only two studio releases by the overlooked Reid, who suffered as the result of producer, Mickie Most's mismanaged business interests; not quite coincidentally, the LP also featured a reworking of Donovan's "Season Of The Witch".

Terry Reid famously declined guitarist, Jimmy Page's invitation to join the New Yardbirds as first choice in the role of lead singer. Which was good news for one Robert Plant.



TERRY REID: BANG, BANG (MY BABY SHOT ME DOWN) from "Bang, Bang (You're Terry Reid)" LP (Epic) 1968 (UK)

PURCHASE TERRY REID: SUPER LUNGS (THE COMPLETE STUDIO RECORDINGS)

Friday, November 28, 2008

bombay bulletin



GEORGE HARRISON: MY SWEET LORD from "All Things Must Pass" 3 x LP (Apple) 1970 (UK)PURCHASE ALL THINGS MUST PASS

fuckin' asshole



Bob, here, was probably never called an asshole, either.
At least not to his face.

Well. Not in New York. Funny fuckin' guy.

JOHN CALE: PABLO PICASSO from "Guts" LP (Island) 1977 (UK)*
* Thanks to Nathan Nothin'. Featuring guitar from Chris Spedding and Ray Manzanera.

OUT OF PRINT

where the pyramid meets the eye

eye of horus.

"The Eye is traditionally considered a symbol of power.
It was also believed to have protective and healing powers and is associated with
rebirth. It was a popular funerary amulet to give protection in the next world -
one was found on the mummy of Tutankhamen.

More recently the Eye has been linked to the all seeing eye of the Masons
and the eye in the pyramid of the US Great Seal."


third eye.

don't skimp on the mayo



Mayo Thompson: lyrics, vocals, guitar; Noel Kupersmith: bass;
Tom Watson: guitar; harpsichord; synthesiser; John McEntire: drums, ukulele;
Stephen Prina: guitar, harpsichord, piano, organ, tambourine.


Recorded and mixed by John McEntire.

Dedicated to Jörg Schlick (1951-2006).







THE RED KRAYOLA: GREASY STREET from "Introduction" CD (Drag City) 2006 (US)

THE RED KRAYOLA: L.G.F. from "Introduction" CD (Drag City) 2006 (US)

PURCHASE INTRODUCTION

wee tam and the big huge






Vocal by Robin Williamson
.

INCREDIBLE STRING BAND: THE YELLOW SNAKE from "Wee Tam & The Big Huge" 2 x LP (Elektra) 1968 (UK)

PURCHASE WEE TAM & THE BIG HUGE

Thursday, November 27, 2008

sketches of spain







picasso's sketch book:
"
toro y toreros lavis dencre de chine sur papier, 1959."

It is impossible to think on Miles Davis' collaboration with arranger, Gil Evans on 1959's "Sketches of Spain", without acknowledging the marriage in popular culture between jazz and the visual arts which simultaneously saw Picasso's most fluid artistic expression pass directly into the mainstream. Recorded between November, 1959 and March, 1960, "Sketches of Spain" - a compendium of arrangements loosely derived from the European folk tradition - is widely regarded as the most commercially accessible milestone in Davis' career. No surprise when one considers how this key release conspicuously tapped into the zeitgeist which fueled the very public celebration of Latin culture which would carry over from the decade's closing chapter well into the 1960s and beyond.

Not nearly as improvisational in approach as more cerebral later statements which would culminate in "On the Corner", this LP nonetheless serves as a defining moment which led jazz out of the Bebop cul-de-sac which had dominated the
better part of the preceding decade with its faster tempo and predictable structure. Most irritatingly, in turn, it was derided in some hardcore jazz circles as being little more than sophisticated easy listening.

A similar parallel can be observed in those bohemian loft space coteries antagonized by Picasso's own commercial success in the same period; a sneering derision that he could sell out so brazenly as the straight bourgeoisie embraced and bought up tourist kitsch with a Spanish or Mexican theme by the vacationing trunk load.


Elevator music, maybe. But what a f@cking lift.

Composed by Joaquín Rodrigo.
Recorded November 20th, 1959.


MILES DAVIS: CONCIERTO DE ARANJUEZ (ADAGIO) from "Sketches Of Spain" LP (Columbia) 1960 (US)

PURCHASE SKETCHES OF SPAIN REMASTERED

sugarcubism



"Everything is a miracle.
It is a miracle that one does not dissolve
in one's bath like a lump of sugar."


"Bad artists copy. Good artists steal."


"God is really only another artist.
He invented the giraffe, the elephant, and the cat.
He has no real style.
He just keeps on trying other things."


pablo picasso

el torro! avant la pique



"avant la pique" by pablo picasso. linocut, 1959.


Wouldn't it have been entertaining to witness the vastly overrated Ernest Hemmingway trotting through the sawdust in circles with a lance in his fat ass ? Considering the severely weighted odds, the spectacle of the 'noble' bullfight feels akin to watching emaciated gladiators defend themselves with wooden swords and one hand tied behind their backs.


Produced by John Cale.

THE MODERN LOVERS: PABLO PICASSO from "The Modern Lovers" LP (Beserkley) 1976 (US)

PURCHASE THE MODERN LOVERS

Wednesday, November 26, 2008

salvador kali


"mad hatter" by daniel james harris.

By which time, the pocket watch completely melts.

From Inkblot Magazine:


"Bishop is a splendid acoustic guitarist with a sure touch and an impressive vocabulary gleaned from the Spanish flamenco and North Indian classical traditions with a bit of Belgian Django Reinhardt's gypsy swing jazz mixed in.
For variety he tosses in a Moorish piano fantasia that conjures images of kif-addled cowboys doing sabre dances."


Released through John Fahey's Revenant label.

SIR RICHARD BISHOP: PEDRO'S LAST RIDE from "Salvador Kali" CD (Revenant) 1998 (US)

PURCHASE SALVADOR KALI
SIR RICHARD BISHOP OFFICIAL SITE

crAcked

DAVID BOWIE: CRACKED ACTOR (lOs anGeLEs) from "Aladdin Sane" LP (RCA) 1973 (UK)

PURCHASE ALADDIN SANE REMASTERED

yes, but is it dialogue ?

the age of the kali yuga

"Kali, the harlot of Revelation 17, that is, the energy of our time cycle.
That energy is indicated by the "rowdy, drunken party."
The kings of the earth become drunk on the wine of the harlot,
which evokes the emotion of fury or wrath. Kali is said to evoke the emotion
"tamasisk," which means fury.
At the end of the three-stage cycle, Kali, the harlot, is deposed."


hmmm...

Just when I thought I was getting
my head around the
Revelation of Saint John.

red rag to a bull




el torro

doctor doolittle



design by vaughn oliver; photography by simon larbalestier.

Recorded at Downtown Recorders, Boston, Massachusetts. Mixed at Carriage House Studios, Stamford, Connecticut.

Black Francis: guitar, vocals; Kim Deal: bass, vocals; Joey Santiago: guitar; David Lovering: drums.


PIXIES: I BLEED from "Doolittle" LP (4AD) 1989 (US)

PURCHASE DOOLITTLE

spiral tribe



"The Triple Spiral symbol, based on motifs found at the prehistoric site at
Newgrange, Ireland, and used as a neo-pagan or Triple Goddess symbol.
This version is made up of mathematical Archimedean spirals."

foghorn leghorn

sri yantra

kali yantra